She had at that moment turned away from this solution, precisely because she saw in it the great chance of her secret. If she should determine him to adopt it she might put out her hand and take him. It would shut in Mrs. Gereth's face the open door of surrender: she would flare up and fight, flying the flag of a passionate, an heroic defense. The case would obviously go against her, but the proceedings would last longer than Mona's patience or Owen's propriety. With a formal rupture he would be at large; and she had only to tighten her fingers round the string that would raise the curtain on that scene. "You tell me you 'say' you love her, but is there nothing more in it than your saying so? You wouldn't say so, would you, if it's not true? What in the world has become, in so short a time, of the affection that led to your engagement?" "Even the Maltese cross. Why not that as well as everything else?—especially as I remembered how you like it."!

All the girl's effort tended for the time to a single aim—that of taking the thing with outward detachment, speaking of it as having happened to Owen and to his mother and not in any degree to herself. Something at least of this was in the encouraging way she said: "Yesterday morning?" "I explained to her fully your position and put before her much more strongly than she liked what seemed to me her absolute duty."

"Poynton was too splendidly happy," Fleda promptly echoed. "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!" She felt sick; she sank upon a seat, staring up at him. "Do you mean that great house is lost?"